The first musical sounds heard across the pre-Texas landscape may have been birdsong, followed by the chants of nomadic tribes. In historic times, the ritual songs of the first Native Americans predate the Spanish colonial hymns brought to the New World by the Catholic Church. Then comes the age of the guitar and the Spanish folk ballad before Anglo-Europeans arrived with pianos and orchestral arrangements, German singing societies, and a cacophony of symphonies, operas, and theatrical scores.
Texas' provincial state of affairs lasted through the end of the second World War and, as a result, its musical tastes tended towards the type of sounds and lyrics that best expressed its rural soul-western swing and country. After the 1950s, musical development in Texas mirrored the general trend rising across the rest of the country, although the state also offered up its own music stars like Stevie Ray Vaughn and Willie Nelson. We can also lay claim to our own unique musical style—Tejano—the Texas/Mexican fusion of balladry, folk, and polka developed in the early 20th century, a style that went global in the modern age thanks to another of our brightest homegrown music stars—Selena.